Publications


Gallardo, Francisco, and Audrey Samson. 2023. “Terra Analytica: the Automated Gaze of Corn and Soy.” In Afterimage: The Journal of Media Arts and Cultural Criticism, edited by Ashley Scarlett and Lisa Lipton.

Samson, Audrey, and Francisco Gallardo. 2022. “Critical Raw Materials” In The Contemporary Journal, edited by Canan Batur, online. Nottingham: Nottingham Contemporary.

Samson, Audrey, and Francisco Gallardo. Interview by FRAUD. “Adekeye Adebajo: The Curse of Berlin.EURO—VISION. February 23, 2021.

Samson, Audrey, and Francisco Gallardo. Interview by FRAUD. “Stefan Jonsson and Peo Hansen: Eurafrica.EURO—VISION. January 28, 2021.

Samson, Audrey, and Francisco Gallardo. Interview by FRAUD. “Ndongo Samba Sylla: Colonial Currencies and Other Investment Stratagems.EURO—VISION. April 21, 2021.

Samson, Audrey, and Francisco Gallardo. Interview by FRAUD. “Liam Campling: Terraqueous Territoriality.EURO—VISION. May 6, 2021.

Samson, Audrey, and Francisco Gallardo. Interview by FRAUD. “Epifania Amoo-Adare and fisherfolk Nii Ayitey Sackey and Solomon Sampa: Artisanal fisheries & the Art of Unthinking.EURO—VISION. May 20, 2021.

Samson, Audrey, and Francisco Gallardo. Interview by FRAUD. “Jennifer Telesca: Red Gold Rush.EURO—VISION. March 25, 2021.

Samson, Audrey, and Francisco Gallardo. Interview by FRAUD. “Nishat Awan: Circulation.EURO—VISION. December 10, 2021.

Samson, Audrey, and Francisco Gallardo. “Geographies of toxic wellness, requiem for a sandstorm,” 2022. In Geographies, edited by Jonas Magnusson and Cecilia Grönberg. Stockholm: OEI. ISBN: 978-91-88829-12-2.

Samson, Audrey, and Francisco Gallardo. 2021. “Partnerships: or How to Harvest Fruits without Sowing Seeds.” In Empathy Revisited: Designs for More than One, edited by Mariana Pestana, Sumitra Upham and Billy Muraben, 165-95. Istanbul: IKSV & Onomatope Press. ISBN: 978-94-93148-59-8.

Samson, Audrey, and Francisco Gallardo. “EURO—VISION,” 2021. Pamphlet. Digital print on paper. 9.25 inc x 3.93 in. https://euro-vision.net/media/site/ea2a23eda7-1626705700/eurovision_digital.pdf/.

Samson, Audrey, and Francisco Gallardo. 2020. “Carboniferous Capitalism.” Helsinki International Artist Program (HIAP). Research article for Post-fossil exhibition. https://www.hiap.fi/carboniferous-capitalism1/.

Soon, Winnie, Magda Tyżlik-Carver, Eric Snodgrass, David Gauthier, and Audrey Samson. 2020. “Executing Uncertainties.” In Uncertain Archives: Critical Keywords for Big Data, edited by Nanna Bonde Thylstrup, Kristin Eva Albrechtsen Haahr Veel, Catherine D’Ignazio and Annie Ring, 209-216. Cambridge: The MIT Press. ISBN: 9780262539883.

Samson, Audrey. "Digital Data Funerals." In Residues of death: Disposal refigured, edited by Tamara Kohn, Martin Gibbs, Bjorn Nansen and Luke van Ryn. London: Palgrave Macmillan, forthcoming.

Gallardo, Francisco, and Audrey Samson. "Commercial Extinction; The Exhaustion of Exhaustion." In The Empire Shop Remains, edited by Daniel Fernandez and Alon Schwabe, 109-19. New York: Columbia University Press, 2018.

Samson, Audrey, Lea Muldtofte, Winnie Soon, Eric Snodgrass, and Francisco Gallardo. "Execution". In The Posthuman Glossary, edited by Rosa Braidotti and Maria Hlavajova, 141-44. London: Bloomsbury Press, 2018.

Schäfer, Mirko T., and Audrey Samson. "Static Glow." In The Posthuman Glossary, edited by Rosa Braidotti and Maria Hlavajova, 407-10. London: Bloomsbury Press, 2018.

Samson, Audrey, and Francisco Gallardo. “Landscape Leakage.” In Positioning practice 2: (Re)distributed media: leakage, edited by Paul Bailey and Tony Credland, 17-20. London: Design Museum and London College of Communication, 2018.

Samson, Audrey, and Francisco Gallardo. “Carbon Leakage.” In Coal: post-fuel, edited by Jesper Eriksson, 16-7. London: London Design Biennale.

Samson, Audrey, and Francisco Gallardo. "Let Them Eat cake!" In C&C '17 Proceedings of the 2017 ACM SIGCHI Conference on Creativity and Cognition, 428-429. New York: ACM, 2017.

Samson, Audrey. "Erasure." In Data Browser 06: Executing Practices, edited by Helen Pritchard, Eric Snodgrass, and Magda Tyżlik-Carver, 143-54. New York: Autonomedia. 2016.

Gallardo, Francisco, and Audrey Samson. "Shrimping Under Working Conditions." In Data Browser 06: Executing Practices, edited by Helen Pritchard, Eric Snodgrass, and Magda Tyżlik-Carver, 253-66. New York: Autonomedia, 2016.

Gallardo, Francisco, and Claudia Lastra. Talking Dirty. Tongue-first Experiments at the Mouth of the Thames. London: Arts Catalyst Press, 2016.

Gallardo, Francisco, and Alvaro Castro. "Swarm Cities and Other Synthetic Companions." In Experiencing the Unconventional: Science in Art, edited by Theresa Schubert and Andrew Adamatzky, 329. London: World Scientific, 2016.

Samson, Audrey, and Winnie Soon. "Network Affordances: Unpredictable parameters of a Hong Kong SPEED SHOW." The Fibreculture Journal 24 (2015). http://twentyfour.fibreculturejournal.org/2015/06/04/44/.

Samson, Audrey. "Erasure, an attempt to surpass datafication." APRJA, no. 1 (2015). http://www.aprja.net/erasure-an-attempt-to-surpass-datafication/.

Samson, Audrey. “ne.me.quittes.pas.” In Tracing Data: What You Read is not What we Write: Proceedings, edited by Linda C.H. Lai. Hong Kong: Writing Machine Collective, 2015.

Gallardo, Francisco. "BiodiverCITY, the Cocktail Book, or how to Taste Soil, Bees and Talking to Plants." In Trans-what? Conference Proceedings, Berlin, 2014. New York City, NY: Art Research Unit, Transart University.

Samson, Audrey, and Kristina Andersen. "Tassophonics: Nanotechnology as the Magical Unknown." In Design, User Experience, and Usability. User Experience in Novel Technological Environments, edited by Aaron Marcus, 548-57. Berlin: Springer, 2013. https://doi.org/10.1007/978-3-642-39238-2_60.

Samson, Audrey. "Pixel Experience Poetics." In White Smoke, edited by Hexaplex, 3-7. Eindhoven: Onomatopee, 2010.

Samson, Audrey. "Haunted profiles; Social networking sites and the crisis of death." In Re:live Media Art Histories 2009 conference proceedings, edited by Sean Cubitt, and Paul Thomas, 140-47. Melbourne: The University of Melbourne & Victorian College of the Arts and Music, 2009.



FRAUD are currently selected artists for Making Time at Artangel, and former residents of the Somerset House Studios.

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